Since making a splash with her debut album, Frank, in 2003, Amy never strayed from being authentically herself. She had a consistent love for both retro sounds and style. For performance outfits, she frequently borrowed from the 1950s (although she added her own grunge to them).
Rockabilly style emerged in the South during the decade, when rock music began taking over the airwaves; Women began wearing shapely halter dresses — often in polkadot prints — and high-waisted pencil skirts, also tying their beehive hairdos up with a bandana. It’s a look that Amy began really adapting when she released her 2nd album, Back to Black, in 2006 — an influential record that would skyrocket her to global stardom, thanks to her hits such as ‘Rehab,’ ‘Back to Black,’ and ‘You Know I’m No Good.
Amy's greatest love was 1960s girl groups. Her hairdresser, Alex Foden, borrowed her "instantly recognisable" beehive hairdo (a weave) and she borrowed her Cleopatra makeup from the Ronettes. Her imitation was so successful, as The Village Voice reports:
‘Ronnie Spector — who, it could be argued, all but invented Winehouse's style in the first place when she took the stage at the Brooklyn Fox Theater with her fellow Ronettes more than 40 years ago — was so taken aback at a picture of Winehouse in the New York Post that she exclaimed, ‘I don't know her, I never met her, and when I saw that pic, I thought, 'That's me!' But then I found out, no, it's Amy! I didn't have on my glasses.’
The New York Times style reporter, Guy Trebay, discussed the multiplicity of influences on Amy's style after her death. Trebay noted, ‘her stylish husband, Blake Fielder-Civil, may have influenced her look.’
Amy was influenced by soul girl groups such as the Ronettes. She imitated their look